Book review of What I Know About You by Éric Chacour

Book review of What I Know About You by Éric Chacour
Books

In his beguiling debut novel, What I Know About You, Éric Chacour delicately explores the complicated circumstances that create distance between people, and the limits of what anyone can know about those they love.

In 1980s Cairo, Tarek, a doctor from a Levantine Christian family, begins a relationship with a young man. Up until this moment, Tarek’s life has been a series of expected events. He grew up to become a doctor like his father, and took over the family practice after his father died. He has played the roles his wealthy family expected him to: dutiful son, successful professional. 

The young man, Ali, comes from a poor neighborhood, and enlists Tarek’s help when his mother becomes ill. As their relationship evolves, Tarek is not prepared for all the ways his love for Ali changes him. He doesn’t know how to navigate a relationship that he must hide from his community. Ali upends Tarek’s neat, ordered life, and the turmoil affects Tarek’s entire family.

Despite several dramatic plot elements, this is a quiet, internal novel. Its brilliance is in the way Chacour plays with point of view. The opening section is written in the second person, and while at first it reads like it is addressing the reader, it soon becomes clear that something more complex is going on. Who is the narrator? Who are they speaking to? How do they know such intimate details about Tarek’s life, his doubts, fears, desires and joys?

In sparse but beautiful prose, Chacour invites readers into the secret world that exists between the mysterious narrator and Tarek. On the surface, What I Know About You is an emotional family story, a queer awakening, a tumultuous romance. It’s a richly textured portrait of Cairo from the 1960s through the 2000s, and a nuanced exploration of queer relationships in Egypt during a time of intense governmental and societal homophobia. But even more compelling than all that is the story underneath: the why and the how of the narrative itself. As the narrator muses at one point, “there’s no way to stay outside your own story.” 

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