Entertainment

Phoenix have reunited with Angèle and Kavinsky to release a studio version of “Nightcall,” the cover they premiered at the Paris 2024 Olympics closing ceremony. Below, check out their take on the track, which was originally written by Kavinsky with Daft Punk’s Guy-Manuel de Homem-Christo and prominently featured on the Drive soundtrack. Angèle contributes vocals
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Here’s to a solid indie weekend with BTS’s Jung Kook: I Am Still, Mubi’s The Substance, Whiplash is back and My Old Ass in limited release. Am I Racist? by conservative podcaster Matt Walsh also continued strong in week two. Mubi’s release of Coralie Fargeat’s The Substance opened to $3.1 million on 1,949 screens for the
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Perry Farrell’s wife, Etty Lau Farrell, updated fans on the singer’s mental and physical condition on Saturday (September 21st), following an onstage meltdown that led Jane’s Addiction to cancel their North American tour. As previously reported, Farrell shoved and punched guitarist Dave Navarro during the band’s show in Boston on September 13th. The onstage fracas
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SATURDAY AM: Paramount and Hasbro Entertainment’s Transformers One, despite an A CinemaScore/5 stars & 92% PostTrak positive, isn’t as robust as anticipated with a $26.3M opening, though still solid for a fall animated movie. That’s because it’s more boys than fanboys. Holding strong is Warner Bros’ third weekend of Beetlejuice Beetlejuice at $25M, -51%. The
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After spending the better part of the past 20 years cranking out live-action Transformers movies, the franchise has finally returned to its animated roots with the critically acclaimed Transformers One. The prequel, which explores the friends-to-enemies relationship shared by Optimus Prime and Megatron, is one of the most fun 2024 movie experiences I’ve had all
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Katy Perry apparently loves performing music, but she doesn’t seem to be much of a listener. Since Max Martin and Dr. Luke first foisted her on the public with “I Kissed a Girl” in 2008, she hasn’t shown much curiosity about different genres or sounds. Six albums in, it’s fair to say that she doesn’t
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Fathom Events and Warner Bros.’ DC Studios are blasting off documentary Super/Man: The Christopher Reeve Story, a favorite from Sundance, and Music Box has the festival’s Grand Jury Prize-winner In The Summers among a handful of solid new release including The Featherweight about boxer Willie Pep, and Who’s Afraid Of Nathan Law? a doc following the
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